I like books about big families, especially unusual ones, but I have only one sister and only one child, so when I set out to write about these families, I read about them first. We place so much importance on how kids are raised, what kind of childhood and home life and family they have growing up, what gifts and what challenges they’re bestowed by genetics, history, identity, society, circumstance. Siblings usually share all or at least most of these markers and yet turn into often wildly different adults. It’s also true that all those fine sibling balances – love/hate, adored/annoyed, admired/appalled, alike/different – are great fun to read and write.
When I first sat down to write a novel about three sisters, step one was to reread King Lear which is about exactly that. The three sisters in Lear are quite different from mine. Among other things, they like each other much less. But for that delicate sisterly balance between so-glad-I-have-you-to-share-the-burdens-of-an-aging-parent and I-might-actually-have-to-kill-you, nothing beats King Lear.
The twin sisters in The Vanishing Half share nearly everything and nearly nothing, which is a neat trick. They share a past – same childhood, same family, same upbringing, same community, same home, the same face even – and yet grow into adults who share none of the above nor even the same racial identity, never mind class, values, family, or future.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
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'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
Jane Austen was close with her sister and often has entire plots which hinge on the fact that you love your sisters, but also they drive you nuts and ruin your life and prospects, but also you’re probably sharing a sewing project or a bed or nearly dying together from doing something reckless like going for a walk in the rain. No one’s better than Austen on the way you’re stuck with your sisters so better learn to treat them with wry bemusement rather than apoplectic rage.
'The wit of Jane Austen has for partner the perfection of her taste' Virginia Woolf
Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.
I wouldn’t dare spoil what makes the sisters in We Are All Completely Beside Ourselves so special. You have to come upon it in the course of reading this absolutely perfect novel. But in the deepest, best, hardest, most unusual way, this is a novel about sisters – sisters in childhood, sisters as they grow, sisters as they become very different sorts of adults and make their way in the world together and apart.
The New York Times bestselling author of The Jane Austen Book Club introduces a middle-class American family that is ordinary in every way but one in this novel that won the PEN/Faulkner Award and was a finalist for the Man Booker Prize.
Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee,” she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse…
The sisters in Girls Burn Brighter aren’t related by blood or family or tradition or history. They are sisters in ways much more profound and important and life-changing and path-determining than that. This beautiful novel traverses continents and cultures to prove blood ties and family ties have nothing on sister ties.
'A treat for Ferrante fans, exploring the bonds of friendship and how female ambition beats against the strictures of poverty and patriarchal societies' Huffington Post
An electrifying debut novel - the story of the unbreakable bond between two girls driven apart, and their journeys across continents to find each other again.
Poornima and Savitha, born in poverty, have known little kindness in their lives until they meet as teenagers. When an act of devastating cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend.
Alternating between the girls' perspectives as they face apparently insurmountable…
From a New York Times bestselling author comes a timely, topical novel about love and family that will make you laugh and cry...and laugh again. How do you let go of the past when the past won't let go of you?
Everyone knows everyone in the tiny town of Bourne. But the Mitchell sisters are especially beloved, and not just because they’re teenage triplets. Mirabel is the smartest person anyone has ever met, and no one is fooled by her wheelchair or her Voice app into thinking otherwise. Monday is the town’s purveyor of books now that the library’s closed—tell her the book you think you want, and she’ll pull the one you actually do from the microwave or her underwear drawer. Mab’s job is hardest of all: get good grades, get into college, get out of Bourne.
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
The gumshoe has to deal not only with brigands, kidnappers, and commies, but also with the beautiful, enigmatic daughter of the industrialist whose involvement raises the danger level exponentially. As complications and the body count rise, Ellis tries to make sure this ill-fated job won’t be his last.
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more sinister. The intrepid gumshoe finds himself having to bargain with brigands, kibitz with kidnappers, clash with commies, and duel with a stone cold assassin incapable of feeling pain. All while navigating potentially deadly pitfalls instigated by his employer's beautiful but enigmatic daughter. Conflict and danger increase at warp speed as Ellis tries…
